July 04, 2007
Sicko Galvanizes Audiences to Activism
A spectre is haunting movie theaters — the spectre of Michael Moore's Sicko.
Cinema Blend's Josh Tyler went to a theater in a suburban Dallas/Fort Worth Metroplex mall to view Moore's documentary about the state of health care in the United States. When the film was over, this is what he found in the lobby:
[T]he theater was in chaos. The entire Sicko audience had somehow formed an impromptu town hall meeting in front of the ladies room. I’ve never seen anything like it. This is Texas goddammit, not France or some liberal college campus. But here these people were, complete strangers from every walk of life talking excitedly about the movie. It was as if they simply couldn’t go home without doing something drastic about what they’d just seen. My redneck compadre and his new friend found their wives at the center of the group, while I lingered in the background waiting for my spouse to emerge.The talk gradually centered around a core of 10 or 12 strangers in a cluster while the rest of us stood around them listening intently to this thing that seemed to be happening out of nowhere. The black gentleman engaged by my redneck in the restroom shouted for everyone’s attention. The conversation stopped instantly as all eyes in this group of 30 or 40 people were now on him. “If we just see this and do nothing about it,” he said, “then what’s the point? Something has to change.” There was silence, then the redneck’s wife started calling for email addresses. Suddenly everyone was scribbling down everyone else’s email, promising to get together and do something… though no one seemed to know quite what. It was as if I’d just stepped into the world’s most bizarre protest rally, except instead of hippies the group was comprised of men and women of every age, skin color, income, and walk of life coming together on something that had shaken them deeply, and to the core.
In all my thirty years on this earth, I have never ever seen any movie have this kind of unifying effect on people. It was like I was standing there, at the birth of a new political movement. Even after 9/11, there was never a reaction like this, at least not in Texas. If Sicko truly has this sort of power, then Michael Moore has done something beyond amazing. If it can change people, affect people like this in the conservative hotbed of Texas, then Sicko isn’t just a great movie, seeing it may be one of the most important things you do all year.
(via Boing Boing)
Posted by abostick at July 4, 2007 10:46 AMThnk Gd ths mv s flppng t th bx ffc. Mr's cnstnt trds gnst jst bt vrythng hvng t d wth th cptlst phlsph s wrng thn. Hs prfrncs fr sclst sct hvn't wvrd nd fnll, mst ppl rn't fllng fr hs drvl nymr. Mr frwrds hs pnn nd hs pnn nl. Hs "ntrvws" nd "mn-n-th-strt" cmmntrs r lrgl scrptd s tht hs str tlls th w h wnts. s lng s y rlz tht h's nl prsntng, t bst, % f n n tpc, thn y cn wtch hs flms s mch s y wnt. B th w, dd nyn gt dscnt tckts? Ddn't thnk s.
Posted by: MWll at July 11, 2007 07:45 AMYour first sentence is a lie: Sicko is doing very well at the box office.
When you can post something that is reality-based, you can keep your vowels.
Posted by: Alan Bostick at July 11, 2007 08:29 AMYes, propaganda often "galvanizes" and is "unifying." That's pretty much the point. I'm frankly horrified that audiences would fall so hard so fast for such a lop-sided mess. Well they did clap in the theater for Farenheit 911, so perhaps I just won't learn.
Unfortunately for those who need to be "inspired" (by emotional blackmail) to action, the truth about complex issues is often gray, the path unclear and viable /solutions/ prove elusive. But bravo! to M. Moore for not letting the whole story cloud up another one of his "look at me" flicks.
Heh, you censored someone's post because it wasn't "reality based." Given the context, that's rather amusing.
If there is one thing that I'm specifically NOT going to do, it's pay money to see that movie.
If there is one thing that I'm specifically NOT going to do, it's pay money to see that movie.
Er... so how can you tell that it's a lopsided mess? Your criticism was rather precise (although not supported by specific examples) and I thought you HAD seen the movie.
Posted by: Anna Feruglio Dal Dan at July 12, 2007 01:30 AM